Innovative Oregon Winery Transforms Smoke-Tainted Wine into Whiskey
Wildfires that ravaged the Pacific Northwest in 2020 left winemakers in a dire situation, facing grape harvests marred by soot and acrid smoke. Responding with creativity, Patricia Green Cellars in Oregon transformed the damaged wine into brandy and innovatively blended the distilled product to create a new pair of whiskeys.
Patricia Green Cellars, renowned for its Pinor Noir and Sauvignon Blanc wines, teamed up with Oregon distiller Lynsee Sardell of Big Wild Spirits. Sardell, whose products include Witch’s Gin and The Wolf’s Whiskey, collaborated with lead winemaker Jim Anderson and associate winemaker Matt Russell to birth the unique spirits under the Patty Green Distillers label. Their aim was not only to repurpose the affected grapes and wine but to utilize locally grown heritage grain varietals to emphasize a unique sense of place, or ‘terroir’. “Said Sardell, “Whiskey, especially those derived from barley, are just as expressive of Oregon’s exceptional landscape as wine or any other cultivated plant we have here. Collaborating with winemakers is tremendously exciting—their skill, quality, and sense of place are infused into these one-of-a-kind whiskeys that distinctively represent the Pacific Northwest.”
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There were approximately 12,000 gallons of Pinot Noir that the winery considered undrinkable due to smoke taint. Fortunately, Sardell was able to distill it into a brandy that the winemaking team adored. The first pair of releases are blends of both whiskey and brandy. Multifarious, the first release, features a base distillate made from a medley of three distinct malted barley types: Lightning Malt, Purple Karma, and Full Pint. Overall, there were five barrels—two created from a tree harvested from the Yamhill-Carlton AVA and charred to levels No. 2 and No. 3, and the remaining ones which were previously used for aging Pinot Noir. For the latter barrels, the intention was not for a cask finish. Instead, these barrels were sanded, toasted, and charred to effectively eliminate any residue of the wine. The final blend is composed of 80 percent malted barley distillate and 20 percent brandy, resulting in a product with a proof of 98 that carries the flavors of dried fruits, earthen spices, molasses, tea, oak, and ginger snaps.
The second offering, Purple Karma Pinnacle, is substantially more exclusive and pricey. It owes its name to the barley grain type used in the whiskey mashbill, an antiquated Himalayan variant that, as per the winemaking team, possibly has never been utilized in whiskey production. Aged for 2.5 years in precisely two ex-Pinot Noir barrels (which were repurposed to eradicate wine traces), this expression also has a blend makeup of 80 percent whiskey and 20 percent brandy. Packed at a cask strength of 112 proof, it boasts fruity, tobacco, spice, and oak-infused sweet notes.
You can purchase both whiskeys—Multifarious ($80) and Purple Karma Pinnacle ($200)—directly from the Patricia Green Cellars website. If you want to try the brandy on its own, you can find that available for purchase as well. And if you’re in the mood for some wine that is absolutely not smoke-tainted, you can find the Pinot Noir available from websites like Wine.com.
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Exploring Flavors: Top 3 Delicious Chilean Carmenere Wines
Chilean wines are often overshadowed by wines from their next-door neighbor, Argentina.
And for those who have tried wines from Chile, most people have probably only had cabernet sauvignons from this South American country.
But Chile makes many other great wines with a wide range of grapes. And one of those grapes remains relatively unknown and which can pretty much only be found nowadays in Chile.
So what is this mysterious Chilean grape?
Carmenere.
And if you love subtle, smooth red wines, you will likely love carmenere wines from Chile.
In general, carmenere wines combine the complexity and the subtlety of wines made with other understated, red wine grapes like merlot or cabernet franc. But wines made with carmenere grapes can also be slightly intense and earthy at times as well.
This week, you can learn more about these wines, the history of carmenere grapes, as well as tasting notes for three Chilean carmenere wines.
Let me add that you can often find many great Chilean carmenere wines for under $20 a bottle. The three wines recommended this week cost a bit more but really illustrate just how great carmenere wines can taste.
Hope you enjoy.
HISTORY OF CARMENERE
Carmenere grapes are a cross between cabernet franc and a less well-known grape called gros cabernet, according to “Wine Grapes” by Jancis Robinson, Julia Harding and Jose Vouillamoz. Carmenere grapes were first grown in the Bergerac region in Southwest France as well as in the Medoc region in France’s Bordeaux region starting in the late 1700s. However, in the 1870s, the famous phylloxera blight wiped out most of the carmenere grapevines in France. Nowadays, the most likely place where you will find carmenere vines is Chile, where the grapes were first planted there in the mid 1800s.
CARMENERE WINE REGIONS
Carmenere remains king in Chile. There are roughly 25,000 acres of carmenere vines planted throughout Chile. In addition, you can still find a small number of wine producers in France’s Bordeaux region who still make wines with carmenere grapes. Other places that produce carmenere wines around the world include Italy, California and China.
WINE TASTING NOTES
2020 Primus Carmenere ($21 Suggested Retail Price)
Region: Colchagua Valley, Chile
Tasting notes: Dark, inky-colored wine with intense flavors straight out of the bottle, including hints of roasted cherry, blackberry and pomegranate. After a few minutes, these flavors smooth out nicely and become lighter and softer and more delicate.
2020 Terranoble Carmenere Costa ($36 SRP)
Region: Colchagua Valley, Chile
Tasting notes: Flinty, lively, earthy flavors at first (especially soft blackberry notes) take on a lighter, fruitier complexity in the glass after just a few minutes without sacrificing the wine’s bright, lively taste and aroma.
2020 Montes Wings Carmenere ($55 SRP)
Region: Colchagua Valley, Chile
Tasting notes: My favorite wine of the three discussed this week, this particular Chilean carmenere has dense, intense, full-bodied flavors and aromas, including powerful waves of blackberry and roasted cherry that last at least half a minute after each taste. Truly wonderful.
UPCOMING WINE EVENTS
Napa Valley Wine: Table & Vine will host a wine tasting class focusing on wine from California’s Napa Valley. The wine tasting will be held Thursday, Feb., 29 from 6 pm to 8 pm at Table & Vine, 1119 Riverdale Street, West Springfield. Tickets are $30 each and can be purchased at Table & Vine’s website.
Boston Wine Expo: The Boston Wine Expo will be held March 2 and 3 at the Hilton Boston Park Plaza Hotel, 50 Park Plaza, Boston. Wine tastings will be held each day, along with specialized wine tasting seminars at different times throughout the weekend. For tickets and more information, visit the Boston Wine Expo’s website.
Cheers!
Wine Press by Ken Ross appears on Masslive.com every Monday and in The Republican’s Weekend section every Thursday.
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The Decline of the Craft Beer Boom: How Bars and Breweries are Adapting
After the boom comes the bust—which the world of craft beer is now learning.
While small breweries in the United States experimented with dozens or even hundreds of brews over the past decade or so, it’s just no longer Americans’ drink of choice, The New York Times reported recently. In response, those producers—and the bars and stores selling their beers—are paring back, creating and offering fewer options, sometimes even just one or two at a time.
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“It’s not how many beers we can make,” Mike Fava, a founder and the director of operations at Sacred Profane Brewing in Biddeford, Maine, told the Times. “It’s how many things we can do with the beers.”
Sacred Profane, for example, brews just two beers at a time: a pale lager and a dark lager. That gives Brienne Allan, the brewmaster and president, the ability to really home in and perfect the recipes. As for the guests, although their alcoholic options may be limited, they can choose how much foam they want and whether they want their beers blended or mixed with lemonade. Suppliers, meanwhile, appreciate the small selection, Fava said.
Sales of craft beer have been steadily declining, as drinkers increasingly opt for spirits or canned cocktails—or cut out alcohol completely. As of November, store sales had dropped 5.3 percent by volume from a year earlier, The New York Times noted. At restaurants and bars, people bought 6.7 percent less craft beer. Even major supermarkets like Whole Foods are stocking less of the stuff: The chain started cutting back about six years ago to make more space for drinks like hard seltzer. And while it’s no longer limiting options, it is asking more of the brands it sells, Mary Guiver, Whole Foods’s principal category merchant for beer, told the newspaper.
The decrease in options hasn’t bothered beer drinkers or brewers, as they become more loyal to a few specific beers rather than playing the field. Colin McFadden, who was head brewer for over a decade at Tired Hands Brewing in Ardmore, Penn., used to make hundreds of limited-edition pours. Now, as the owner of the bar and restaurant Meetinghouse in Philadelphia, he offers only five beers.
“Some choice felt necessary, but too much choice felt problematic,” he told the Times. “I’ve had very few people be like, ‘Why are there so few beers?’”
Per the saying, if the quality is up to snuff, the quantity doesn’t much matter.
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Famed Caribbean Rum Undergoes Renaming Following Controversy Over Slavery Connections
A well-known Caribbean rum has undergone a rebrand due to concerns related to its “hurtful” connections to slavery.
Maison Ferrand, a spirits manufacturer, altered the name of its rum from Plantation to Planteray. This month, bottles displaying the updated name will be distributed internationally.
The organization initially committed to renaming the beverage in response to the Black Lives Matter movement, which flared up following the killing of George Floyd in 2020.
Global demonstrations triggered broad-ranging debates on systemic racism and the ramifications of colonial history, leading to a slew of brands being scrutinized for potentially offensive affiliations.
But delays were caused by trademarking the new name in 120 countries, the company said.
Alexandre Gabriel, the rum’s creator and master blender, said at the time: “We understand the hurtful connotation the word ‘plantation’ can evoke to some people, especially in its association with much graver images and dark realities of the past.
“We look to grow in our understanding of these difficult issues and while we don’t currently have all the details of what our brand name evolution will involve, we want to let everyone know that we are working to make fitting changes.”
The new name comes from the word “plant” to reference the sugar cane origin of the rum and “ray” to refer to “the sun, being open to people, the heritage and savoir-faire of rum”, according to a post on the brand’s Instagram account.
It was revealed by the business proprietor in a media gathering at the West Indies Rum Distillery in Barbados this month.
“Starting today, the transformation from Plantation to Planteray gets underway,” expressed founder Gabriel.
“Trademarking a name that embodies our brand philosophy in 120 countries was a drawn-out progression. Rest assured, our rum, which we’ve been creating with pride for over 25 years, remains unchanged. It will continue to be made with an equal level of proficiency, dedication, and attention, just under a new name – Planteray Rum.
“We sustain our firm commitment to producing the same notable rum from Barbados and the finest rum terroirs across the globe.”
Nizlopi Recalls Ed Sheeran’s Work Experience Days and the Making of the JCB Song
‘We’d get big, rugby-playing men coming up to us in tears and saying “I miss my dad” – or “I love my dad and I’ve never told him”’
John and I began songwriting together when we were 13. After university, we both moved back in with our parents in the Midlands and began writing an album. One day while my dad was cooking, I asked, “What should I write a song about?” He casually said, “Diggers.” He used to drive a Massey Ferguson digger for his father’s groundworks company and would pick me up from school in it. Compared to a bully at school, my dad felt so warm, safe and loving. In 90 minutes, I had penned down a song about these contrasting experiences.
Working at London youth centres, I used to commute from Leamington Spa a few times a week. The garage sound that was popular at the time inspired me. I had a rhythm in my head and it went like, “I’m Luke, I’m five and my dad’s Bruce Lee.” When I combined this double-timing rhythm, it felt magical.
People were a bit taken aback by the song’s quirkiness. One line that got many laughs was “The engine rattles my bum like berserk.” By the end, the audience would be laughing and nodding along. We included the song in our debut album and in early 2005, started to compile the hand-drawn video. We published it online in 30-second increments as the artist progressed. Soon, HMV wrote to us asking about the song’s release as customers wanted to purchase it.
It was No 1 just before Christmas 2005. In late January, we played a sold-out show at Shepherd’s Bush Empire in London. And it turns out, Ed Sheeran was there. Ed would have been about 14 then. He just kept writing to us: “Could I do work experience with you?” He was very intense. He just wanted to rap-battle us all the time because Eminem’s 8 Mile had just come out. It was Ed’s vision and his gift to be a pop star, but at that stage it wasn’t what I was about.
We had been playing to 200 people a night with a certain vision, mission and purpose – then suddenly this one song just goes boom and we’re at Hyde Park playing to 20,000 people. It’s damaging to the integrity of a living system to grow that quickly. It caused a lot of rupture, stress and conflict and was part of what broke up the band. It’s almost like if a child is growing at a steady rate and that child grows 300ft in six months – it’s probably gonna hurt and it might even kill the child.
I taught Luke to play guitar so it’s my fault, really. When he played the song to me, I was going, “Er, JCBs? Er, really?” Once we’d played it a few times, changed a few things musically, I still thought it was a bit naff. I guess I didn’t quite get it until we started playing it live.
It was then that you’d get big, rugby-playing men coming up to you in tears, going: “I miss my dad” or “I love my dad and I’ve never told him.” Luke was very good at orchestrating the audience into a kind of choir. It’s a funny song because obviously it’s about Luke when he was five with his dad, but it’s amazing how many dads are builders and work in construction and let their sons sit in their diggers.
We used to take work experience kids: they got a week in the studio and a week on the road. Ed Sheeran stood out. I remember him being very enthusiastic, always asking questions. I do remember, in Bristol, him just drinking our rider. It was a full-on gig for me and I was like: “I could really do with a cold beer.” All gone. I said to Luke: “We can’t have him on tour.” In 2006, he opened a show for us in Norwich, not far from his home town, and he had the whole audience in the palm of his hand. I said: “Oh, we’ve created a monster here.”
I don’t think we believed we had a hit until we started doing things like Richard and Judy. When you’re a creative, you spend most of your time saying to aunties and uncles: “It is a proper job.” When you’re on Top of the Pops and you’re No 1, they get off your back for a while.
The JCB Song is almost totally separate from Nizlopi now. Luke and I had always talked about what we wanted – we wanted to be as big as U2 – but when we started tentatively going up that ladder, both of us had very different reactions. It put a lot of pressures on us. I think we forgot for a while that the band was a friendship, and that we were friends who played music together, not musicians that became friends.
Unreleased Nizlopi material is available on Patreon via www.lukeconcannon.com
Experience a Four-Course Wine Dinner at Breaker Featuring a French Vintner Representative: The Dish Special Edition
Four culinary experts from The Breakers, inclusive of its wine director and executive chief of restaurants, are the powerhouses behind an opulent wine dinner happening this Wednesday at the resort hotel.
The extravaganza set to begin at 7 p.m. in The Breakers’ Magnolia Room, will regale attendees with a four-course dinner which will be married with commendable wines from the respected French vineyard Château Cos d’Estournel located in the Bordeaux region.
To ensure exclusivity, the seating at this event is capped and would-be attendees are required to book their spot in advance. The event will be under the patronage of Charles Thomas from Cos d’Estournel who will be the guest of honor.
The maestros behind the curtain orchestrating this grand event are pair of master sommeliers Virginia Philip, also the wine director, and Juan Gomez, both from The Breakers.
Joey Tuazon, the esteemed chef at The Breakers’ HMF, alongside the resort’s executive chef of restaurants, Anthony Sicignano, take the culinary stage.
The wine dinner kicks off following a wine reception replete with passed hors d’oeuvres, starting dynamic with a seared sea scallop dish that features crispy rice, a spiced yogurt ginger crème, and a delectable tomato confit.
Turning up the taste a notch, the second course is HMF’s take on the “pot pie” – an exquisite blend of corn, leeks, the pungent Roquefort, and blueberry jam.
The culinary journey proceeds to a third course highlighted by a tantalizing wood-grilled cut of tender beef tenderloin, served with a dash of truffled parsnip purée, roasted varieties of salsify, the earthy chanterelles, and a bold syntax of red-wine currant sauce.
The final act of the culinary experience presents itself in the form of decadent chocolate truffles for dessert.
Several wine pairings during the evening will include, among others, Cos d’Estournel Bordeaux Blanc 2018; Les Pagodes de Cos d’Estournel 2016 in magnum; and Château Cos Labory Red Bordeaux 2018.
The Wednesday wine dinner at The Breakers is $525 a person.
For more information or to make a required advance reservation, call (561) 659-8980, ext. 7949.
This article originally appeared on Palm Beach Post: Four-course Breakers wine dinner focuses on French house
Discover the World’s Best Whiskey: A Top-Rated and Affordable Bourbon
Jim Beam and Jack Daniel’s have long been leaders in the American whiskey market. In terms of sales, there simply isn’t a touch on them. Last year, as reported by The Spirits Business, Jack Daniel’s sold 14.6 million cases, whereas Jim Beam sold 16.7 million, ranking them as the two top selling whiskey brands globally. This is a crown that one of the pair has held for a minimum of five years. However, this popularity doesn’t translate as strongly to the bar scene as it used to.
Each year, Drinks International, a news platform for the liquor industry, surveys top 100 bars across 33 countries to discover the drink orders of consumers. The chosen bars consistently feature on renowned lists such as World’s 50 Best Bars and Tales of the Cocktail Spirited Awards. Following the survey, Drinks International publishes its conclusive Brands Report, providing an insight into the purchasing habits and trending brands in the world’s best bars.
Topping the list for the second consecutive year is Maker’s Mark, one of our beloved cost-effective bourbons, famed for its red-wax-dipped top. Jim and Jack, formerly the go-to brands for a “shot and a beer” or mixed drinks, have made room for slightly pricier counterparts. This shift indicates an openness among consumers to pay a little more for a superior pour, or the patrons of these surveyed bars are simply more willing to spend more.
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Regardless, the titanic twosome of America’s whiskey finds itself in the seventh and eighth positions, in spite of their well-established reputation in the worldwide marketplace:
Maker’s Mark
Bulleit
Michter’s
Woodford Reserve
Buffalo Trace
Wild Turkey
Jim Beam
Jack Daniel’s
Rittenhouse
Four Roses
The growth of Maker’s Mark and other brands has begun to impact Jim Beam’s numbers, which sold about 300,000 fewer cases last year than they did the year before. It’s worth noting that Jack Daniel’s grew by 7.9 percent last year, but the brand has also stepped into the craft marketplaces with the release of an American Single Malt and the continuation of its successful, experimental Distillery Series. Maker’s Mark, meanwhile, sold 200,000 more cases in 2023 than they did in 2022, an increase of 5.3 percent, although it had a bigger 2022, growing 11.1 percent from 2021.
According to Drinks International’s annual American whiskey trends report, that trend should continue. Instead of relying on business data, this report is more subjective, since the bars themselves decide what climbs up the rankings. And while Maker’s might see competition from Michter’s, Jack and Jim don’t even make the list:
Michter‘s
Maker’s
Bulleit
Woodford Reserve
Buffalo Trace
Angel’s Envy
Blanton’s
Wild Turkey
Elijah Craig
Eagle Rare
Regardless, it seems like consumers are willing to spend a bit more on whiskey than they have in the past—and Jim and Jack are being left behind.
Company Renames ‘Plantation Rum’ Following Criticism Over Slavery Associations
Maison Ferrand changes brand to Planteray rum after acknowledging ‘hurtful connotation’ of old name
A popular Caribbean rum has been rebranded after concerns were raised that its name was associated with slavery.
Maison Ferrand, which markets itself as one of the world’s premier boutique producers of fine spirits, has changed the name of its Plantation rum to Planteray rum.
The original name was criticised in the wake of the Black Lives Matter movement in 2020 for its links to the transatlantic slave trade. The change was promised in June 2020 and the company said trademarking the new name in 120 countries had caused delay.
The announcement was made by the Maison Ferrand owner, Alexandre Gabriel, at a press conference at the West Indies Rum Distillery in Barbados this month.
He said the new name “pays homage to sugar cane, the plant that gives birth to the rum, and the sun’s rays that are essential for sugar cane growth and ripening”.
The announcement did not address the racism complaints made about the original name, and there were no official social media posts about the rebranding.
The move was welcomed by Rachelle Ferron, the head of entertainment at ITV’s Good Morning Britain, who wrote a piece for the Guardian in 2022 in which she cited the brand in a critique of “businesses [that] still feel the need to use ‘plantation’ as a selling point despite its links to historic colonial exploitation”.
Ferron said: “This is a welcome advancement, and I am proud that I was integral to this long-overdue change, but there is still work to do and I would urge any company to remove associations with slavery from their branding. This was my own little protest but that’s how wider change often starts.”
A Maison Ferrand spokesperson said the company would not be commenting further on the rebranding.
Announcing the decision to change the drink’s name in June 2020, Gabriel, the rum’s creator and master blender, said: “We understand the hurtful connotation the word ‘plantation’ can evoke to some people, especially in its association with much graver images and dark realities of the past.
“We look to grow in our understanding of these difficult issues and while we don’t currently have all the details of what our brand name evolution will involve, we want to let everyone know that we are working to make fitting changes.”
In a 2022 interview for the magazine Drinks International, Gabriel said the inspiration for the original name was his childhood in rural France.
He said the word plantation was “a French farming term”and the name was chosen “without any malice and never with any intent to make anyone feel marginalised”.
This is not the first time a rum producer has changed the name of a product because of criticism about an association with slavery. Two years ago, the Danish company 1423 World Class Spirits rebranded its Ron Esclavo rum to Patridom after criticism of the original name, which means slave rum, and the firm’s claim that it was “an homage to the slaves who paid a high price in the history of sugar cane and rum”.
Ferron called on other rum producers to rebrand products linked to slavery. She criticised Diageo for retaining the Captain Morgan brand, named after Sir Henry Morgan, a privateer and plantation owner who owned more than 100 enslaved people.
A Diageo spokesperson said: “Captain Morgan rum was created around 80 years ago and acquired by Diageo in 2001, and there has never been any legal or financial link between the brand and Henry Morgan, who lived in the 17th century.”
Analyzing the Best and Worst Beer Logos
Beer enjoys immense popularity around the globe and has done so for hundreds of years. With a plethora of beer brands available, beer enthusiasts are certainly not left wanting. The vast range of beer types, each with its unique look, scent, and flavor, makes marketing and branding extremely crucial.
Logos play a pivotal role for each beer brand. A number of beer brand logos have achieved iconic status, potentially ranking among the top logos of all time, adding immense value to their brand identity. Nonetheless, some logos fall short, either due to a lack of alignment with the brand’s image or simply because they aren’t visually appealing. Let’s delve into some beer logos that are at both ends of this spectrum.
An interesting backstory about a craft brewery ties back to rock ‘n’ roll roots. The brewery was established by Logan, the son of Lead Zeppelin’s vocalist, Robert Plant, in 2011. In 2022, it was taken over by Heineken. It even partnered with the American desert rock group, Queens of the Stone Age.
Beavertown’s logo uses a sans-serif font in crisp, legible block capital letters set in white. The logo sports a modern, slightly unconventional look. The skull, a key component of the logo and also the ‘o’ in Beavertown, has become a trademark symbol for the brand. The sketchy, cave drawing-like appearance of the skull contributes to the logo’s edgy aesthetic.
The popular tequila-infused pale lager is produced by a Slovakian subsidiary of Heineken, but its branding relies heavily on Mexican design. However, it doesn’t do so in a corny way, for an end result that is actually quite understated.
The name of the beer is written in red lettering with black stripes going across horizontally, and the letters are all surrounded by white to give them more emphasis. The letters are serifed but in quite an attractive way, while there are three red circles above them, each giving some quick information about the beverage. The phrase “Tequila flavoured beer” sometimes goes at the bottom in green cursive writing, using another colour from the Mexican flag.
This might be a controversial choice, but I’ve never thought much of Budweiser’s logo. The iconic American-style lager has been a popular choice for well over a century, but their logos throughout history have left a lot to be desired.
For me, the current logo, despite a nice retro nod, is just a bit plain and boring. It does what it needs to, but there’s nothing to set it apart from other logos which might have two or three colours – white and black and something else – and a classic, cursive-style typeface. It’s just a tad dull.
The Brooklyn Brewery logo, established in Brooklyn, New York City, in 1988, is laudable. Brooklyn takes a subtle approach to its marketing, relying primarily on word-of-mouth and philanthropic efforts. However, its logo, designed by the renowned graphic designer Milton Glaser, makes a quiet but significant impact.
The logo has a roundel design encompassing a large, cursive ‘B’ at its center with ‘Brooklyn Brewery’ etch around it. It is sandwiched between two circles beside the ‘B’. The most recognized color palette for the logo is black and green, although it is adaptable enough to accommodate various color variations for different Brooklyn beers.
Beck’s, a German brewery, has a rather mundane logo. Its broad serif letters fail to leave a lasting impression, and the utilization of black and white in the color scheme is lackluster. The key emblem, the other main component of the logo, is inspired from Bremen’s coat of arms, where the brewery is located and pays homage to St. Peter, the city’s patron saint.
Similar to many long-standing beer brands, there’s no glaring issue with their logos. The issue lies in their lack of depth and dynamism. However, a brand like Beck’s doesn’t need to rely on its logo for recognition, owing to its established reputation in the beer industry.
Some of Corona’s adverts might have divided opinion last year, but I do think its logo itself is quite a good one. This Mexican beer brand is best known for its Corona Extra pale lager, but it boasts a range of other beers as well as hard seltzers, too.
Its logo consists of its name in a bold, gothic-looking font, and it’s in a nice blue colour – something that feels quite unusual for big-name lagers. Under the lettering is a yellow medallion that says “the finest beer” in Spanish, while the crown above the lettering is a classy, elegant touch.
No matter your thoughts on the beer logos I’ve both praised and pilloried here, why not take a trip down memory lane and check out some of the beer labels we enjoyed back in 2015? Or, for an alcohol-free experience, take a look at our favourite Dry January ad campaigns this year.
Discover the Wine and Peanut Butter Pie Pairing That Takes You to Flavortown
Gone are the days when pasta dishes and fancy charcuterie boards are the only foods worthy of a wine pairing. Identifying the ideal wine match for your cuisine can significantly enhance the taste of your food. Why not upgrade your favorite snacks or even your regular dessert? We consulted a sommelier about the wine that best complements the flavors of peanut butter pie, enabling peanut butter enthusiasts to enjoy the ultimate dessert experience.
Doreen Winkler is a consulting sommelier responsible for creating wine lists for numerous restaurants, including the new Mishik in New York City. She has previously shared her expert knowledge with us, suggesting surprising yet welcome wine pairings for various dishes. For instance, she recommended the best grilled cheese and wine combination and shared ideal wine and snack pairings. So, which wines should fans of sweet and savory desserts stock up on? Winkler recommends an aged sweet vintage Pedro Ximenéz sherry from Spain for Peanut Butter Pie.
Read more: Popular Vodka Brands Ranked From Worst To Best
Many of us wouldn’t know where to begin when it comes to pairing a wine with something like peanut butter pie. Doreen Winkler’s suggestion for Pedro Ximenéz sherry might surprise some people. This is among the sweetest wines available. For a number of us, this may seem too sweet to pair with a dessert as rich and sugary as peanut butter pie. However, Pedro Ximenéz sherry has unique notes that complement the distinct combination of flavors in peanut butter pie.
“The notes of chocolate, coffee, nuts, and dried fruits will perfectly complement the richness and sweetness of a peanut butter pie and elevate it to the next level,” Winkler told us. Pedro Ximenéz sherry is made with a process called “asoleo,” which means that the grapes used for the wine are dried out in the sun. This process helps to make the wine particularly sweet and it also brings out the grapes’ acidity and warmth. That flavor profile paired with the classic sweet and salty flavors of a peanut butter-y dessert? That’s our new favorite after-dinner treat.
Read the original article on Mashed.









