In this month’s edition of Rum Music reviewed by Jennifer Lucy Allan, a captivating blend of sound poetry, unique instrumentals, and imaginative themes create a rich auditory experience. The narrative echoes the contemplative musings of prominent poets, with lines that resonate deep within.
The column delves into an eclectic array of offerings, moving away from the raw guitar sounds that have characterized previous editions. Instead, it embraces an experimental approach with sound poetry, angelic vowel utterances, quirky electronics, and even a collection of recordings featuring water droplets.
Noteworthy mentions include John M. Bennett’s Blanksmanship, characterized by poetic narratives and the interplay of shakuhachi and flute sounds, bringing a literary essence. The duo Jean-Marie Mercimek offers a unique auditory collage in Dans Le Camion De Marguerite Duras, blending sung/spoken French texts with unconventional keyboard sounds.
Another intriguing insight comes from Los Pélieu Lovers, who weave a poetic narrative inspired by French Beat poet Claude Pélieu, infusing their music with elements of spoken word and atmospheric instrumentals. Crystabel Efemena Riley’s live work impresses with visceral percussive experimentation, capturing the energetic response of a live audience.
Kasai takes a more whimsical approach with his high-octane minyo sounds, which revolve around everyday themes infused with an unorthodox charm. The various artists’ compilation Tsapiky! Modern Music From Southwest Madagascar energizes the soundscape with vibrant rhythms and local melodies, showcasing the cultural richness of tsapiky music.
Laura Steenberge’s Piriforms elevates the listener with ethereal choral harmonies that explore medieval singing traditions, offering a meditative experience that underscores the complexities of sound and space.
Closing the narrative is Masaaki Takano’s Shizukutachi, an innovative work that merges natural soundscapes with a minimal techno aesthetic, inviting listeners to reflect on the subtle beauty of water sounds transformed into musical movements.
This collection serves not only as a diverse sample of contemporary experimental music but as a reminder of the poetic and emotional power of sound in all its forms.
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